91×ÔÅÄÂÛ̳

Graduate Courses Taught

• AHST 450:  Age of Baroque
• AHST 506:  The Sublime
• AHST 507:  Rhetoric of the Frame
• AHST 508:  Mimesis: Theory and Practice
• ENGL 550:  Aesthetics

Undergraduate Courses Taught

• AHST 101:  Introduction to Art and Visual Culture
• AHST 214:  Cultural Contact: Artistic Encounters in a Global Context
• AHST 229:  Art in Europe 1750-1830
• AHST 233:  Thinking Through the Copy
• AHST 250:  Age of Baroque

Selected Publications

Books

• The Academy and the Limits of Painting in Seventeenth-Century France, ‘Cambridge Studies in New Art History and Criticism,’ 300pp. + 80 illustrations, Cambridge University Press, 1997.
• The Rhetoric of the Frame: Essays on the Boundaries of the Artwork, edited with an introduction and contributing essay, ‘Cambridge Studies in New Art History and Criticism,’ 322pp. + 68 illustrations, Cambridge University Press, hardback and soft cover, 1996.

Articles in Journals and Anthologies

• ‘A Disturbance of Memory: Travel, Recollection, and the Experience of Place,’ in Anne Teresa Demo and Brad Vivian (eds.), Rhetoric, Remembrance, and Visual Form: Sighting Memory (Routledge, 2012), 49-66
• ‘Observations on the Burkean Sublime,’ Word and Image (forthcoming 2012/early 2013).
• ‘Great and Noble Ideas of the Moral Kind: Joseph Wright of Derby and the Scientific Sublime,’ Art History, 33/4 (2010), 660-679.
• ‘Imitation and Authority: The Creation of the Academic Canon in French Art, 1648-1870,’ in Anna Brzyski (ed.), Partisan Canons (Duke University Press, 2007), 95-113.
• ‘Giving Up On History: The Hierarchy of Genres in Early Nineteenth-Century French Painting,’ in About Stephen Bann (London: Blackwell, 2006), 117-39.

Selected Awards/Grants

• Bridging Fellow, Department of English, 91×ÔÅÄÂÛ̳, Fall 2008. Summer Fellow, Clark Art Institute, Williamstown, Mass, 2002.
• Visiting Fellow, Humanities Research Centre, Australian National University, 1998-99.
• Getty Summer Institute, 91×ÔÅÄÂÛ̳, NY, 1998.
• Faculty Research Grant Scheme, Australian National University, 1996-99.

Affiliations

• Association of Art Historians (U.K.)
• College Art Association (USA)
• Reader, Art History, 2010, 2011, 2012
• Editorial Board, Art Bulletin, 2007-11; chair 2010-11
• Advisory Board, InVisible Culture, 91×ÔÅÄÂÛ̳

Current Projects

• Art and ornament in Rococo visual culture; Detail, parergonality and fragment; Art as symbolic form.
• Theorizing Imitation in a Global Context, an anthology of essays edited with introduction; forthcoming from Blackwell Publishing, approx. 208 pages, 2014-15